“In the 1970s I thus began to suspect, and even to crack open, the basic concepts of scientific knowledge…”

“…one notices the search for a coexistence between things and thoughts, conditioned by unforeseeable interventions, not always rationally intended, which are represented by a touch of red, as though it were an intrusive and provocative component.”

“It becomes an indeterminacy amplified until, in the end, one no longer finds oneself with the traditional references (three of space and one of time) but with infinite references that are even mirror-like, because in discourse I am a reference for you, but you are one for me. A complication upon a complication.”

“The whole proves feasible, even if in the final solution of the path of knowing there remains an “e” that, as is well known, represents the irrational number par excellence.”

“…perhaps the solution lies in a lucid and anthropological rereading of reality. It is the passage from Euclidean thought to post-Euclidean thought, from the chaos of traditional knowing to integral post-Euclidean knowledge.”

“His latest works – both paintings and sculptures – draw more than ever on the meditative and philosophical elaboration the artist pursued over the years, above all in the last volumes published between 2019 and ’21”.

“Particles marked by an identifying chromatism that emerge from that zone of “eternity” present within the atom, which Locati identified and named the “periatom”.

“Thus his art draws close to the philosophy of science and to human thought, which has always asked itself the question: “Where do we come from? Who are we? Where are we going?”.

“The wholly white canvases tear open and fold back on themselves like rippled drapery, giving rise out of the sidereal void (and out of speculative thought) to atomic corpuscles that arrange themselves along the universal coordinates of space, of time and of their specific being.”